I haven't really blogged much at all lately, and I miss it. In an internet full of people tweeting about their lunches
, sacrificing articles for more videos
, and endlessly reblogging the same three inspirational quotes overlaid on Instagram photos
, I like to be that one weird guy making lots of spidery black symbols arranged in blocks that don't animate or play sounds.
So in order to further my goal of
wasting everyone's time with my writing total world domination achieving the world record for being the awesomest
getting carpal tunnel, I've decided to do some reviews of stuff I look at on something of a semi-regular basis. I'm not gonna actually schedule them or make pretty little alliterations like "Webcomic Wednesday" or "Indie Game
iday" and I might only do one or two before dropping off the face of the Earth, but let's at least give this a shot.
I'll probably mostly be reviewing webcomics and indie games because I'm an insufferable hipster1
, but not enough of one to do music reviews2
. But I like to keep my options open, so expect books, movies, mainstream games and maybe even TV serieseseseses.
1 – And because a recent fourfold increase in my internet cap and increase in my uni's internet speed in general means I'll be able to read more webcomics
and fail all my subjects.
2 – Seriously, the sum total of any music review I've ever tried to write has been "I liked listening to this. It was pleasant." I'm just not knowledgeable enough about the technical details to dig into a song's components or pretentious enough to write reams of Pitchforkesque pseudo-poetics on everything.
So anyway, for my first review, here's a webcomic I recently archive-binged on:
Ellie on Planet X
is about a robot named Ellie sent on course from Earth to the mysterious "Planet X" sometime in the sixties. The strip began on the 10th of June 2010, the day Ellie's first transmissions would have reached Earth (eight years after her landing), and each strip is presented as a snippet of her report back.
is a gag-a-day strip that nonetheless follows continuity and goes through a series of discernible plots, but in a very meandering and relaxed sort of way. You could start at more-or-less any point and be able to figure out the characters and situations from context without too much trouble.
The characters are as simple as you'd expect from a comic like this – Ellie the robot is bubbly and curious, Jeff the alien is a little slow and Muffin the alien is grumpy. Their antics and interaction sets up jokes, and the humour of those jokes is always cute and whimsical. It's strictly newspaper funnies–level stuff, so don't expect to actually laugh, but I smiled most of the way through.
The world of Planet X looks like a Dr Seuss book, and the much of the strip's focus is on Ellie's exploration and discovery of new animals and plants, all of which she gives silly names to and many of which are living versions of inanimate objects
The author has a bigger commitment to fleshing out the comic's setting than you might expect with a comic like this and even provides a number of extra posts
about Ellie's development and the people at her mission control. The way the author always claims to have "found" the content of these posts in much the same way as the strips themselves are supposed to be transmissions from Planet X eight years ago makes the comic that much more endearing.
I noticed one or two typos and a number of cases of awkward wording throughout the strip, but the biggest problem I have with the writing is its rhyming sections
. On the first page alone it attempts to rhyme "home" with "own" and "mission" with "expedition", and it doesn't really get better. I get the feeling that the rhymes are supposed to be a little off because childish Ellie makes them up, but that doesn't really soothe the disappointment of having a beautiful page like this one
spoilt somewhat by awkward rhymes.
My first thought upon seeing the strip was "The artist must be a Hollywood movie poster designer. Just look at all that orange and blue
Jokes aside, the orange and blue colour scheme certainly gives the comic a very distinctive appearance. James Anderson uses a lot of different shades of the two colours, and none really seem oversaturated or eye-searingly bright. It helps that there's also a fair bit of white, and green is used for holographic displays
. The limited colour pallet does grate on the eyes a little after extended reading and probably won't be everyone's cup of tea, but I quite liked it for the most part.
Most of the strips follow a traditional three/four-panel layout, but Anderson isn't afraid to shake the format up every now and then with a nice vista
or one of those Family Circus trails everyone rips off
The character designs are distinct and memorable, and everyone looks wildly different from everyone else. I feel that the strips themselves are a bit too small sometimes, making it hard to see some details, especially on a large monitor, but that's not a major issue.
Ellie on Planet X
mostly achieves what it sets out to do and is a pleasant, breezy read with just a little more substance than you might expect. It's fun, cute and totally kid-friendly, which isn't something you always get on the internet. There are much worse ways to kill an hour or two than by breezing through its archives.